REALITYWIPE

RESEARCH_FILE

Teresa M. Amabile

Brandeis University, later Harvard Business School

Known for:Experiments showing expected evaluation and surveillance reduce creativity, and the intrinsic motivation principle of creativity

SEE THE PRACTICE

Turn a thought this research explains into one clear move.

THE THOUGHT

I'm not actually creative

YOUR RECORDED RESPONSE

Creative is a practice I do, not a credential someone grants me.

ONE PRIVATE MOVE

Reopen an unfinished project and make one small, deliberate change—add a line, rewrite one sentence, adjust one color. Document it (photo, note, screenshot) without sharing. That change is evidence.

Key findings

  1. 1979

    Participants who made art collages expecting expert evaluation produced work judged significantly less creative than participants working without evaluation expectations — anticipating judgment alone was enough to lower creativity. Effects of External Evaluation on Artistic Creativity

  2. 1983

    The Social Psychology of Creativity lays out the intrinsic motivation principle: creativity thrives on interest and enjoyment in the work itself, and extrinsic constraints such as expected evaluation tend to undermine it. The book also introduces the consensual assessment technique for measuring creativity. The Social Psychology of Creativity

  3. 1990

    With Goldfarb and Brackfield, showed that surveillance — simply being watched while working — reduces creativity alongside expected evaluation, locating the creativity decrement in the social situation rather than the person. Social Influences on Creativity: Evaluation, Coaction, and Surveillance

Research areas

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